Table 2 Common genomic sequences
Landscape types | Common genomic 1 | Common genomic 2 | Common genomic 3 | Common genomic 4 | Common genomic 5 | ||
|---|---|---|---|---|---|---|---|
Material cultural landscape | Natural landscapes | High mountains | Numerous historical sites | Integrating the “Shudao” culture and humanistic landscapes | Steep, deep gorges and sheer cliffs | — | — |
Ancient tree | — | Cypress trees | — | — | — | ||
Forest | Thick and lush. | — | — | Many ancient trees | — | ||
Canyon | — | — | — | A forest of huge rocks | |||
Architectural landscape | Residential buildings | Facade form (door + high window) | Spatial layout (the second-floor space is usually a low and small attic) | Structure (Mostly of the interlocking wooden beam type) | Roof (eave, veranda) | Colors (black, gray, brown) | |
Settlements | Spatial form (extending in a band along roads or river valleys) | Military buildings, residential buildings and public buildings are the majority. | Layout forms (clumped and strip-shaped) | Mostly distributed on the sunny gentle slopes and terraces of low mountains and hilly areas. | — | ||
Streets and alleys | Spatial structure (mostly in a fishbone-like arrangement, with T-shaped intersections) | Paving materials (mostly sourced from local stones) | Most of the residential buildings on both sides of the road are one to three stories high. | — | The width of the streets and alleys (generally ranging from 2 to 8 meters) | ||
Cultural landscape | Religious buildings | Most of them are official-style buildings. | Roof style (hipped roof with overhanging eaves) | Construction techniques (such as beam-raising, dougong, xiaotie, caijing, etc.) | The distribution of temples (about ten miles apart) | Type (Buddhism and Taoism) | |
Tombstone | Mainly historical figures and family tombs. | — | Vertical tombstone | — | — | ||
Stone carvings | Material (local stone) | Forms of expression (figures, landscapes, flowers, birds, animals) | — | — | Carving techniques (deep carving, shallow carving, and hollow carving) | ||
Ancestral hall and mansion | Wooden structure, blue-tiled roof | — | Spatial layout (mostly courtyard house layout) | — | — | ||
Temple or shrine | Upturned eaves and projecting corners | Bracket system structure | Symmetrical facade | Commemorating Figures | — | ||
Carving real objects | Site selection (mainly featuring Danxia landform and river valley landscape) | Spatial forms (cave chamber architecture, niche chamber architecture, cliff architecture) | — | — | — | ||
Military landscape | Pass or barrier | Based on the treacherous nature of the mountain terrain | — | — | — | — | |
Fortress | Site selection (the summit of a mountain surrounded by cliffs on all sides) | — | Materials (stone, soil) | — | — | ||
Horse barrier wall | Materials (mostly earthen and stone) | Shape (generally over 1 meter in height and about 0.8 meters in width)) | — | — | Apply white lime on top. | ||
Ancient battlefield | — | Surrounded by mountains and with a perilous terrain. | — | All sites feature the tombs and memorial temples of significant historical figures. | — | ||
Transportation landscape | Post station | Functions (maintaining ancient communication, logistics and personnel flow) | — | — | — | — | |
Stacked road | Materials (mainly wooden and stone planks) | — | — | Site selection (beside mountains and rivers, on cliffs and against walls) | Hole-in-the-wall type | ||
Ancient road | Purposes (for military, trade, and cultural exchange) | Features (abundant natural resources and numerous historical sites along the way) | — | Distributed (across perilous mountains and deep canyons) | — | ||
Bridge | Materials (mainly stone) | — | Form (mainly arch bridges and flat bridges) | The decoration (the pavilions on both sides of the bridge are engraved with reliefs, and the capitals, brackets and beams are decorated with carvings of flowers, clouds and grass patterns, etc.) | — | ||
Tunnel | Inscriptions with names. | A group of stone carvings on the cliff nearby | — | — | — | ||
Intangible cultural landscapes | Traditional customs | Language | Mainly Sichuan dialect | — | — | — | — |
Diet | A wide variety of raw materials | Numbing, spicy and sweet | — | — | — | ||
Clothing | The upper garment and lower skirt style | — | Deep garment style | — | — | ||
Folklore | — | — | — | — | Characteristics (regional features) | ||
Belief culture | Folk beliefs | Mainly Buddhism and Taoism | — | — | — | — | |
Sacrificial activities | Religion-related | — | Form (combined with music) | — | — | ||
Art culture | Music | Performance form (Live performance) | Origin (Mostly from agricultural work) | — | — | Mode of transmission (Oral transmission) | |
Literature | Related to the Three Kingdoms period | — | Regional characteristics | — | — | ||
Painting and dancing | Nationality and Regionality | — | — | Festivals and sacrificial ceremonies related | — | ||
Carving | Form and style (humanistic color, national architectural cultural characteristics) | — | — | — | — | ||
Production and life | Farming techniques | Traditional dryland farming | — | — | Terraced dryland farming | — | |
Handicrafts | Raw material sources (derived from nature) | — | Application scenarios (decoration and folk activities) | — | — | ||
