Abstract
Here, we introduce an open-access database of 3D models of stone tools (n = 2,016) from four Early Upper Paleolithic sequences excavated south of the Alps and along Peninsular Italy, including Grotta della Cala, Grotta di Castelcivita, Grotta di Fumane, and Riparo Bombrini. Available through four self-standing Zenodo repositories, these models enable in-depth analysis of core reduction procedures, reduction intensity, and shape variability. Unlike other repositories, this database has been actively used to address archaeological questions, providing a comprehensive demonstration of the use of 3D models in lithic analysis. The Open Aurignacian Project utilizes various scanning devices, including the Artec Spider, Artec Micro, and micro-computed tomography, with a focus on enhancing the reproducibility and accessibility of archaeological data. This paper presents the scanning methodology, dataset organization, and technical validation of the project, while also discussing the scientific potential of these data to foster cross-continental research collaboration. Our open-sharing initiative is designed to stimulate inter-regional studies of human behavioral evolution, offering new opportunities to address questions in Paleolithic studies through the FAIR principles.
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Background & Summary
Introducing the Open Aurignacian Project
The Open Aurignacian Project (OAP) aims to systematically scan and create open-access repositories of 3D meshes of stone tools from stratified sites dating to the early stages of the Upper Paleolithic south of the Alps and along Peninsular Italy, with a particular focus on the Aurignacian technocomplex. To date, the OAP has led to the publication of four distinct repositories on Zenodo1,2,3,4 (Fig. 1), totaling 2,016 stone tools. These 3D models were created using high-resolution 3D scanning devices, which allow for detailed and accurate digital representations of each artifact’s shape, size, and surface features. The division into four distinct repositories ensures proper attribution to the coordinators of fieldwork and research at each site. This data descriptor aims to enhance the discoverability and accessibility of these valuable datasets, which are fully open access under the Creative Commons Attribution 4.0 International license. In addition to this paper, the OAP platform—hosted at https://www.armandofalcucci.com/project/open_aurignacian/—provides updates and new releases of datasets from additional sites and/or stratigraphic units. These repositories were created with the goal of enabling FAIR (Findable, Accessible, Interoperable, and Reusable) sharing of data, supporting several published papers. More importantly, the data provides an open resource for testing novel hypotheses related to human behavior and lithic technology, fostering cross-continental collaborations, and serving as a platform for education and outreach. Through the OAP, we aim to inspire other researchers to adopt open data-sharing practices for 3D archaeological materials, maximizing the potential of this technological innovation to advance archaeological research.
Visual organization of the Open Aurignacian Project, showing the four sites scanned so far and organized into separate Zenodo repositories (referred to here as Volumes). Volume 1: https://doi.org/10.5281/zenodo.63621494; Volume 2: https://doi.org/10.5281/zenodo.106313891; Volume 3: https://doi.org/10.5281/zenodo.141651892; Volume 4: https://doi.org/10.5281/zenodo.147316943.
Background on 3D modelling in lithic analysis
Since its early development in the second half of the 20th century, 3D scanning technology has primarily been employed in industrial settings for applications such as quality control and reverse engineering5. Over time, mainly due to technological advancements, the applications of 3D scanning have expanded into various fields, including archaeology, where it has played a significant role in the last 20 years6,7,8. While the use of 3D modeling in archaeology has been intermittent, it is now regularly applied across different scales, from site-level documentation9,10,11 to the digitization of a wide range of organic and inorganic artifacts recovered during excavations12,13,14,15,16,17. One area in archaeology that has particularly benefitted from 3D modeling is lithic analysis. As noted by Wyatt-Spratt18, over 200 papers have been published as of 2022 directly utilizing 3D models for analytical and visualization purposes. This increase in use is largely driven by the increasing affordability of scanning devices and the development of open-source software tailored to analytical needs19.
3D models can be created using various scanning techniques, including laser scanning, structured light scanners, micro-computed tomography (micro-CT), and photogrammetry18,19,20,21,22. These techniques enable precise digital replicas of stone tools that can be analyzed and measured in ways that were previously challenging with traditional methods. The pioneering work of Riel-Salvatore, et al.23, demonstrated the potential of 3D scanners for lithic analysis, specifically for scar pattern segmentation and virtual refitting. Since then, 3D models have helped overcome challenges in lithic replicability24, particularly in quantifying morphological features of stone tools. A few studies have explored the use of 3D models to address inter-observer variability in lithic analysis, often through collaborative research frameworks25,26. Researchers have also developed new tools and open-source software for quantifying parameters that cannot be recorded manually27,28,29.
For example, several studies have used 3D geometric morphometrics (3DGM)30 approaches to quantify shape variability in stone tools28,31,32,33,34,35,36,37,38,39,40, as well as the measurement of 3D angles41,42,43,44,45,46. Other applications include quantifying reduction intensity47,48,49,50,51, cortex coverage on blanks and cores52, use-wear analysis53,54,55, ballistic analysis56, the 3D geometry of tool edges57, virtual knapping58, and virtual refittings59,60,61,62. Additionally, 3D modeling has provided critical insights into technological variability in lithic production27,63,64,65,66, and has been invaluable in the study of experimental flintknapping, where 3D models record the morphological and volumetric changes of cores at different stages of reduction47,49.
3D modeling has also facilitated the creation of digital repositories for educational and preservation purposes67,68. Notable examples include the DISAPALE project by the Neanderthal Museum in Germany69 and the Museum of Stone Tools (stonetoolsmuseum.com), directed by M. Moore, which hosts a large number of 3D models from various regions and periods. These repositories provide valuable resources for research, outreach, and teaching. Furthermore, the sharing of 3D models through open science practices enables inter-institutional collaborations and promotes more sustainable research practices by reducing the need for physical movement of artifacts and researchers70. Open access to 3D datasets is particularly important for fostering collaborative networks and ensuring access to lithic collections for researchers in low- and middle-income countries.
Despite the remarkable progress in creating repositories for educational and preservation purposes, these databases often fall short when it comes to hypothesis-driven research. They are typically not designed to scan complete artifact classes within specific stratigraphic layers from Paleolithic sites. On the other hand, 3D models created for analytical purposes are often not openly shared18, limiting their most valuable feature: the ability to access raw data, replicate analyses, and develop new research. Also, this scientific practice contradicts the paradigm shift toward open and replicable science71,72. However, some notable exceptions of accessible 3D databases do exist64,73,74,75,76,77,78. The OAP database was specifically developed to provide new open data supporting the analysis of the Italian Aurignacian, enabling innovative research that has already proven pivotal79.
The Aurignacian
The Aurignacian is often regarded as the first pan-European technocomplex. Initially considered a marker for the spread of anatomically modern Homo sapiens across Europe80, it is now understood as the result of more complex biocultural processes that reached a resolution around 42,000 years ago81,82,83. This technocomplex unified a vast geographic area, extending from the northern Mediterranean Basin to the Atlantic and continental Europe84,85. The Aurignacian has garnered significant scientific attention due to its remarkable features, including increased evidence for symbolic behavior86,87,88, long-distance mobility practices and networks89,90,91, and the manufacture of multi-component projectiles92,93,94. The Aurignacian encompasses several techno-cultural variants, which are typically found in stratigraphic sequence, reflecting a clear chronological succession95,96,97,98. Lithic and bone tool data have played a significant role in defining the main stages of the Aurignacian99,100,101,102. However, the observed similarities and variability in these tools are driven not only by cultural developments but also by diverse land-use strategies and mobility patterns across the Aurignacian’s large geographic scope87,89,103,104,105,106.
In Italy, the Aurignacian is found in both stratified and open-air sites across different environmental settings107,108. Notably, evidence suggests that the Aurignacian began later in southern Italy, as seen at sites like Grotta di Castelcivita82. The OAP was developed to analyze several stratified sites across Italy, which has allowed for a better understanding of Upper Paleolithic developments in the region, particularly the role of mobility strategies and environmental variability in shaping techno-cultural diversity31,49,95,109,110. For example, research in southern Italy has shown that the major super-eruption of the Campanian Ignimbrite around 40,000 years ago111 had little or no impact on the technological development of the Aurignacian95. Moreover, evidence suggests human occupation continued in the region shortly after the eruption, as demonstrated by findings at Grotta della Cala112.
While the Italian Aurignacian was previously not central to discussions on the development of the Upper Paleolithic, recent technological studies—complemented by the large-scale digitization of the 3D models presented in this paper—have provided an unprecedented volume of data. This allows for a deeper discussion on human behavior, the role of cultural transmission, and environmental shifts in the observed cultural variability across Europe. Importantly, these renewed technological studies provide a robust foundation for utilizing the 3D models presented in this paper, facilitating the design of research projects that address meaningful archaeological inquiries.
Methods
Site selection
The OAP is divided into four sub-projects, each corresponding to one of the sites analyzed during the research project on the Italian Aurignacian (https://gepris.dfg.de/gepris/projekt/431809858?language = en), funded by the German Research Foundation (DFG). These sites have so far been instrumental in answering key archaeological questions. All sites are located in Italy, with two situated in the north—Grotta di Fumane113 and Riparo Bombrini114,115—and two in the south—Grotta della Cala112,116 and Grotta di Castelcivita95,117 (Fig. 2). Each sampled stratigraphic unit is associated with the Aurignacian, and ongoing research and fieldwork at all sites have ensured a high degree of control over the chronological and stratigraphic integrity of the data. Only the repository for Grotta di Fumane contains a few lithics associated with the Early Gravettian118. At Grotta di Fumane and Riparo Bombrini, remains identified as anatomically modern Homo sapiens (e.g., two teeth) were found in association with the lowermost layers, attributed to the Protoaurignacian119. All sites are well-known for their rich material culture, which spans lithic and bone tools, symbolic artifacts, and evidence of living features such as hearths and other spatial arrangements109,120,121,122,123. Table 1 provides a detailed overview of the studied sites, including information on the chronological framework, stratigraphic units, techno-cultural attribution, and current research directors. Additionally, it lists the published datasets linked to the technological analyses of the lithic assemblages.
Geographic location of the sites part of the Open Aurignacian Project: (1) Riparo Bombrini, (2) Grotta di Fumane, (3) Grotta di Castelcivita, and (4) Grotta della Cala. The maps show the paleo-geographic reconstructions of Italy, taking into account mean sea-level estimations with associated confidence envelopes148 at about 40,000 BP (−62 ± 13 m above the current sea level). The map was generated using ArcGIS®10.8: (https://desktop.arcgis.com/en/arcmap/latest/get-started/setup/arcgis-desktop-system-requirements.html). Source of the Digital Elevation Model: GMES RDA project (https://www.eea.europa.eu/data-and-maps/data/eu-dem#tab-originaldata/eudem_hlsd_3035_europe). Source of the Bathymetry: EMODNET (https://emodnet.ec.europa.eu/en/bathymetry). Map: Courtesy of V. Spagnolo (University of Siena).
Data recording
A total of 2,016 lithic artifacts have been digitized in 3D using various scanning technologies (Table 2) and protocols. These scanning protocols were developed in recent years by one of us19,22,124. The observed numerical differences in the number of 3D models per site can be attributed to variations in the density of finds at each site, as well as the number of stratigraphic layers analyzed in this project.
The majority of the 3D meshes were generated using an Artec Space Spider scanner (n = 1,250) from Artec Inc. (Luxembourg). This portable scanner is particularly effective for scanning lithic artifacts in situ. The Artec Spider offers accuracy of up to 0.05 mm and an ultra-high resolution of up to 0.1 mm, making it ideal for medium-sized objects. For scanning, a turntable was used, capturing two or three views of each lithic artifact before running the data through standard algorithms in Artec Professional Software. Although the Artec Spider is also suitable for scanning small-sized artifacts, the scanning resolution diminishes for thin objects with a maximal length of ca. 3 cm and sharper edges19. Therefore, to scan a large number of small artifacts, we also used micro-CT technology (n = 571) following the StyroStone protocol19,124 and an Artec Micro scanner (n = 195), following the MicroStone protocol22. The Artec Micro has an accuracy of up to 0.01 mm and a resolution of up to 0.029 mm, making it ideal for capturing fine details on smaller objects. The micro-CT scanner (Phoenix v-tome-x s model by General Electronics MCC, Boston, MA) was used to scan several hundred lithics from Grotta di Fumane, with the primary aim of conducting 3DGM analysis of blade and bladelet implements31,110.
The StyroStone protocol has proven highly effective for minimizing scanning time while maximizing the number of lithics scanned in a single session. For instance, up to 220 bladelets were scanned in a single session and later extracted as individual 3D models. The resolution for these scanning sessions was set to 140 microns, providing an effective balance between productivity and model quality. Although the resolution of the smallest bladelets scanned with the micro-CT does not match that of the Artec Micro, Göldner, et al.19 validated this method by conducting a 3DGM comparison between a sample of bladelets scanned using a micro-CT scanner and an Artec Micro scanner. The micro-CT models were also utilized for quantifying 3D angles of retouching110. Also, while the Artec Micro is better suited for capturing features such as lateral retouching, even on bladelets as small as 1 cm, it requires more time to produce models. The comparison of volume values between the different scanners shows that the Artec Spider was used to scan the largest artifacts, while the Artec Micro and the micro-CT scanners were mostly used for small-sized artifacts, though the Artec Micro was occasionally employed to scan a few larger ones (Fig. 3a). We compared the resolution across different scanners by measuring the average edge length between the points of the model125 (Fig. 3b). Higher-resolution scans correspond to smaller average edge length values. The results clearly show that the highest resolution was achieved with the Artec Micro, while the lowest was obtained with the micro-CT scanner. To improve resolution—especially when aiming to produce accurate 3D models of small-sized artifacts—we recommend reducing the number of pieces scanned in a single micro-CT session. This allows the objects (i.e., the target) to be positioned closer to source, thereby enhancing overall resolution19. Furthermore, since the lithic artifacts were of similar size and the scanning distance remained constant, the resolution of the micro-CT scans was more consistent across the resulting 3D meshes compared to the other scanning devices.
(a) Boxplots with jitter points showing the comparison of volume between the three scanning devices. Due to the large values in the Artec Spider group, which masked variability in the lower range, the volume was log-transformed to improve the visibility of the data distribution and better highlight the differences. (b) Density distributions of average edge length (in mm) between the points of the 3D model (i.e., the resolution) across the different scanners used in this project.
Selection of artifacts
Stone tools were scanned as part of techno-typological studies aimed at investigating Aurignacian core reduction procedures, reduction intensity, and shape variability, both within and between sites. Figure 4 shows the percentage distribution of available scans across lithic classes, highlighting differences between the studied sites. At all sites, we primarily focused on scanning cores associated with blade and bladelet productions (see Fig. 5).
3D models of stone tools from the four sites of the Open Aurignacian Project. Categories include retouched blades and burins (RF.B_80, RF.b_21, CTC_65, Ca_370, Ca_392, RB_617), blade/let cores (RF.c_61, RF.c_303, RF.c_6, CTC_985, CTC_1, Ca_127, Ca_77, Ca_1537, Ca_320, RB_571, RB_591, RB_620), retouched bladelets (RF.b_1552, RF.b_1638, CTC_938, CTC_218, CTC_1034, CTC_976), endscrapers (CTC_82, RB_484), flake cores (CTC_699), and unretouched blade/lets (Ca_474, RB_486). The artifacts were scanned with an Artec Spider (i.e., RF.b_80, RF.c_61, RF.b_21, RF.c_303, RF.c_6, CTC_92, CTC_985, CTC_1, CTC_65, CTC_699, Ca_127, Ca_370, Ca_77, Ca_474, Ca_320, Ca_392, RB_617, RB_484, RB_486, RB_571, RB_591, RB_620), a micro-CT scanner (i.e., RF.b_1552 and RF.b_1638), and an Artec Micro (i.e., CTC_938, CTC_218, CTC_1034, CTC_976, Ca_1537). More contextual and technological information is available in the associated metadata files for each repository.
At Grotta della Cala, Grotta di Castelcivita, and Riparo Bombrini, all cores related to flake production were also scanned. Regarding blank types, the frequency differences are linked to the scanning technologies used, which influenced the ability to digitize small-sized bladelets. Flakes are the most scanned blank type at all sites except Grotta di Fumane (Fig. 6a), where almost exclusively blades and bladelets were scanned for 3DGM studies31,110. For the other sites, scanning involved the digitization of blanks from different phases of the reduction sequence, particularly key initialization and maintenance operations. This means that certain blanks were scanned to create a reference collection of meaningful pieces for scientific presentations and teaching purposes. For tools, the proportion of retouched bladelets is notably high at both Grotta di Castelcivita and Grotta di Fumane (Fig. 6b). These differences should not be interpreted as remarkable technological differences between the sites, but rather as a result of the specific scientific objectives during the development of the OAP. It is worth noting, however, that the number of retouched bladelets recovered at Grotta della Cala is extremely low112, and that flake production was a significant component of the lithic production at Riparo Bombrini, particularly with the use of low-quality local chert89,105. Finally, most of the scanned blanks (Table 3) and tools (Table 4) are complete artifacts, with only a limited number of broken blanks, as 3DGM analyses and other quantitative assessments cannot be performed on broken pieces.
(a) Proportion of unmodified blanks scanned across the studied sites, highlighting differences in the frequency of blank categories. (b) Proportion of scanned tools, categorized by blank type, across the studied sites. The total number of blanks and tools for each site is reported in parentheses below the bars, while the percentages for each lithic class are shown inside the stacked bars.
Data Records
Structure of the repositories
The OAP is organized into four open-access repositories, published on Zenodo (see Fig. 1), with updates and new releases posted on the project website (https://www.armandofalcucci.com/project/open_aurignacian/):
-
1)
Grotta di Fumane4: https://doi.org/10.5281/zenodo.6362149
-
2)
Grotta di Castelcivita1: https://doi.org/10.5281/zenodo.10631389
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3)
Grotta della Cala2: https://doi.org/10.5281/zenodo.14165189
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4)
Riparo Bombrini3: https://doi.org/10.5281/zenodo.14731694
The decision to create four separate repositories was made to ensure proper attribution to the fieldwork director(s) for each site. Each Zenodo repository contains all the necessary data and documentation to ensure proper use. We organized and described these repositories following the guidelines outlined in the book 3D Data, Creation to Curation: Community Standards for 3D Data Preservation, edited by J. Moore, A. Rountrey, and H. Scates Kettler126. Specifically, we prepared a README text file and a CSV (comma-separated values) file based on the example provided in Chapter 2 (“Best Practices for 3D Data Preservation”), which also describes the lithic repository from the Early Upper Paleolithic site of Tvarožná X, Czech Republic, published in the University of Minnesota’s Data Repository (DRUM) by Tostevin et al.125. The README file provides an overview of the repository and a detailed description of the associated metadata. The CSV file includes several columns documenting the artifacts’ stratigraphic provenience, a summary of each 3D mesh file, and information about data collection and post-processing procedures. Finally, the zipped folder contains the 3D models in PLY (Polygon File Format), which can be opened with various software tools commonly used in lithic analysis, such as Meshlab29, CloudCompare (https://www.danielgm.net/cc/), and Artifact3-D27. For Grotta di Fumane, a zipped folder also contains meshes in WRL (Virtual Reality Modeling Language) format, available only for selected models (i.e., blades and bladelets) and on a previous version (2.1.1) of the dataset: https://zenodo.org/doi/10.5281/zenodo.7664308. This format was required to run 3DGM analyses of blades and bladelets in the AGMT3-D28 software. The size of the zipped folders with the 3D meshes ranges from 380 MB to 1.8 GB. Each Zenodo repository includes an overview section with a general description of the site, as well as a description of the dataset, research and usage notes, licensing information, citation guidelines, and relevant references. Future updates and new versions of the datasets will be published in new versions of the same repository, ensuring seamless reusability and access to the most current data.
Metadata CSV file
The metadata CSV file included in each repository provides contextual and technical information intended to support the effective use of the associated 3D meshes. Each mesh is identified by a unique identifier (ID), which corresponds to the mesh file name. This identifier is consistent with those used in previously published studies related to the respective sites, ensuring continuity across publications. The CSV file presents a selected subset of attributes for each model. Users seeking more comprehensive techno-typological data can download the relevant research compendia associated with each site (see Table 1). Additionally, the project website (https://www.armandofalcucci.com/project/open_aurignacian/) is regularly updated with links to publications that utilize the 3D datasets, thereby facilitating long-term data reuse.
Table 5 provides a complete list of the stratigraphic, technological, scanning, and post-processing attributes recorded for each model. Technological data were documented by one of the authors (AF) using a standardized attribute analysis system127,128, which enabled the collection of both metric and discrete variables. In addition to qualitative attributes, quantitative metrics such as volume (in mm³) and surface area (in mm²) were calculated using the Rvcg129 package in R130. For cores and core-tools, technological classifications follow the system established by Falcucci and Peresani131.
Technical Validation
All datasets and 3D models presented in this study have already been utilized in scientific investigations, addressing several technologically and behaviorally relevant questions. This prior use serves as a valuable validation of their accuracy and relevance for archaeological research. The Artec Spider and Artec Micro scanners were properly calibrated to ensure accuracy and underwent frequent check-ups and inspections by the manufacturer to verify their precision. The scanning process involved capturing the lithics from different angles to record all surfaces and edges. Post-processing algorithms, recommended by Artec Inc., were applied to align the scans, fill holes, remove outliers, reduce the number of polygons to optimize model size while maintaining sufficient resolution, and finally export the 3D mesh in PLY format. For the micro-CT, the accuracy of the scans was validated through comparison with high-resolution models obtained from the Artec Micro19. This comparison confirmed that the micro-CT scans provided an adequate level of precision for archaeological investigations, ensuring the validity of the data for further analysis. While every effort was made to ensure the highest quality of scans, it is important to note that the resolution of the micro-CT scans for very fine details was slightly lower than that of the Artec Micro. However, the overall quality and suitability for archaeological purposes is deemed sufficient, especially for larger or more robust artifacts. The step-by-step protocols used to scan all published 3D models were developed by one of the authors (AF) and are available on protocols.io22,124. The Styrostone protocol provides detailed workflows for both micro-CT and Artec Spider scanning: https://doi.org/10.17504/protocols.io.4r3l24d9qg1y/v3. The Microstone protocol outlines the workflow for Artec Micro scanning: https://doi.org/10.17504/protocols.io.81wgb6781lpk/v1.
Usage Notes
To access the datasets, please follow the link associated with each repository and download all data contained within. After unzipping the folders, the meshes can be opened using various 3D visualization programs, such as the open-source Meshlab (https://www.meshlab.net/). The README and CSV files within the dataset can be used to seamlessly select the necessary files for analysis. The data presented in these repositories can be used for a variety of analyses, including 3DGM assessments, reduction intensity studies on both cores and tools, investigations on edge angles for both retouched and unretouched blanks, morphometric and technological analyses on cores, as well as lithic classifications using machine learning algorithms. Additionally, the data can be used to extract other relevant information, such as outlines for 2D geometric morphometrics.
The repositories will undergo future updates and new releases, which may include additional meshes and/or scanned artifacts. As such, the DOI of each repository links to the “cite all versions” option on Zenodo, ensuring that the latest version is always accessed. New releases will be accessible to scholars and other interested parties, with proper version labeling in accordance with the FAIR principles. We encourage researchers using these datasets to cite both the Zenodo repository and this paper.
Code availability
The dataset and R scripts used to present and visualize the structure of the four datasets are available on Zenodo132: https://doi.org/10.5281/zenodo.15131493. All data presentation and visualization steps were performed in R v.4.3.1130 and R Studio133 under Windows 10, utilizing the Tidyverse packages134 and ggstatsplot135. The merged datasets from the four sites are provided as a supplementary file to facilitate smooth searching of the required data.
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Acknowledgements
The 3D scanning and technological analyses presented in this study were supported by the German Research Foundation (DFG) under grant agreement no. 431809858 (project title: “Investigating Early Upper Paleolithic Technological Variability and Cultural Dynamics South of the Alps”; recipient: A.F.; https://gepris.dfg.de/gepris/projekt/431809858?language=en). Research and fieldwork at Grotta della Cala are coordinated by the University of Siena (A.M.) and were funded by the University of Siena and the European Research Council (ERC) under the European Union’s Horizon 2020 research and innovation programme (grant agreement No. 724046; http://www.ercsuccess.eu/; PI: S. Benazzi), as well as the PRIN TRACE project (PIs: S. Benazzi and A. Moroni). Research and fieldwork at Grotta di Castelcivita are coordinated by the University of Siena (A.M.). Excavations from 1974 to 1988 were funded by the University of Siena. Research and fieldwork at Grotta di Fumane are coordinated by the University of Ferrara (M.P.). Research and fieldwork at Riparo Bombrini are coordinated by the University of Genoa (F.N.) and Université de Montréal (J.R.S.), with funding from FRQSC grant 2016-NP-193048 (J.R.S.), Direction des affaires internationales UdeM (J.R.S.), SSHRC Insight Grant 435-2017-1520 (J.R.S. & F.N.), and the SPHeritage Project (MUR grant: FIRS2019_00040, P.I.: M. Pappalardo). Open Access funding was enabled and organized by Projekt DEAL at the University of Tübingen. We would like to acknowledge all the researchers and students who have been actively involved in the recovery, preparation, and study of the archaeological lithic materials from Grotta della Cala, Grotta di Castelcivita, Grotta di Fumane, and Riparo Bombrini throughout the years of research at these sites. For the research at Grotta della Cala, we acknowledge the Municipality of Camerota, particularly Mayor Dr. Mario Salvatore Scarpitta and Councilor for Culture Dr. Teresa Esposito, for their logistical support. Ongoing research at Grotta della Cala is conducted under the permission of MiC (MIC|MIC_DG-ABAP_SERV II|30/09/2021|0032649-P| [34.61.07/1.14.1/2019]). For the research at Grotta di Castelcivita, we acknowledge the Società Grotte di Castelcivita and the Municipality of Castelcivita for their logistical support. For the research at Grotta di Fumane, we acknowledge the Lessinia Regional Natural Park, the B.I.M. Adige, the Fumane Municipality, the MUSE Trento, as well as several private associations and companies. For the research at Riparo Bombrini we acknowledge the logistical support by the Istituto Internazionale di Studi Liguri (Bordighera), the Direzione regionale Musei Liguria, and the Museo Preistorico dei Balzi Rossi e Zona Archeologica (Ventimiglia). Fieldwork at all sites was carried out with the authorization of the Ministero della Cultura, under the local supervision of the Soprintendenza Archeologia, Belle Arti e Paesaggio for the provinces of Salerno and Avellino (Grotta della Cala and Grotta di Castelcivita), Verona, Rovigo, and Vicenza (Grotta di Fumane), and Imperia and Savona (Riparo Bombrini). Finally, we are grateful to the editors and reviewers for their valuable contributions to improving the paper and the associated repositories. In particular, we acknowledge the insightful feedback provided by Reviewer #2. Any remaining shortcomings are solely our responsibility.
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A.F. conceptualized and designed the study, 3D-scanned the artifacts, analyzed the lithic assemblages, and wrote the manuscript. A.M. coordinated the research at Grotta della Cala and Grotta di Castelcivita. F.N. and J.R.-S. coordinated the research at Riparo Bombrini. M.P. coordinated the research at Grotta di Fumane. All authors collected research fundings and revised the final version of the manuscript.
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Falcucci, A., Moroni, A., Negrino, F. et al. The Open Aurignacian Project: 3D scanning and the digital preservation of the Italian Paleolithic record. Sci Data 12, 1037 (2025). https://doi.org/10.1038/s41597-025-05330-z
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DOI: https://doi.org/10.1038/s41597-025-05330-z