Fig. 1: The three modes: islīmī, khatā’ī/nīlufer and band-i rūmī with several common variations. | Humanities and Social Sciences Communications

Fig. 1: The three modes: islīmī, khatā’ī/nīlufer and band-i rūmī with several common variations.

From: Traces of Turco-Persian influences in Malay woodcarving motifs on vernacular buildings in Terengganu

Fig. 1

Source: Unsur Seni Islam Turko-Parsi dalam Seni Ragam Hias Ukiran Kayu di Alam Melayu (2023), Haft Aṣl: The Seven Modes of Ornamentation in Islamic Art (2018) and Islamic Chinoiserie: The Art of Mongol Iran (2009). This figure is not covered by the Creative Commons Attribution 4.0 International License. Reproduced with permission of Muhammad Uzair Ismail and The Smithsonian Institution; copyright © Muhammad Uzair Ismail and The Smithsonian Institution, all rights reserved.

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