Table 1 Overview of the dimensions annotated using GPT and the references guiding this selection.
Dimension | Prompt | References |
|---|---|---|
Novelty | The extent of difference between the imaginary world and the real world as experienced by the targeted audience. | |
Familiarity | The extent to which the imaginary world resembles the real world as experienced by the targeted audience. | |
Originality | The degree to which the imaginary world presents unique environments not previously explored in other imaginary worlds. | |
Inventiveness | The extent to which the narrative introduces proper names (of places, characters, concepts, etc.) that are unfamiliar to the targeted audience. | |
Richness | The volume of details provided about the imaginary world. | (Kaplan 1992) |
Size | The perceived scale of the imaginary world in terms of its geographical vastness. | (Baranes et al. 2014) |
Extensibility | The extent to which the imaginary setting could serve as the backdrop for a variety of different stories beyond the original narrative. | (Besson 2015) |
Structure | The organization of the imaginary worldās environmental information. | (Saint-Gelais 1999) |
Coherence | The logical consistency and clarity of the imaginary worldās information, ensuring that all elements fit together in a meaningful manner. | |
Mystery | The promise of revealing new aspects of the imaginary world. | |
Uncertainty | The degree to which the imaginary world generates ambiguity or questions about its environment. | (Hsiung et al. 2023; Jach and Smillie 2019; Muth et al. 2015; Ruggeri et al. 2023) |
Controllability | The level of influence that readers might feel they could exert over the environment if they were to find themselves within the imaginary world, considering the understanding they gain about its functioning. | |
Dangerousness | The perceived level of threat or risk present within the imaginary world, affecting its inhabitants or characters navigating through it. | (Scrivner and Clasen 2022) |
Plausibility | The extent to which the imaginary world is conceivable within its own logic and rules. | (Pavel 2023) |
Realism | The degree to which the imaginary world accurately represents real-world environments. | |
Ecological diversity | The variety of imaginary ecosystems and species depicted within the imaginary world. | (Langer et al. 2021) |
Sociological diversity | The variety of imaginary social structures, cultures, and communities. | (Besson 2015) |
Physical counterintuitiveness | The presence of elements within the imaginary world that contradict or challenge our intuitive understanding of physical principles. | (Banerjee et al. 2013; Boyer and Ramble 2001; Norenzayan et al. 2006; Nyhof and Barrett 2001; Spelke 1990; Stahl and Feigenson 2015) |
Biological counterintuitiveness | The presence of elements within the imaginary world that contradict or challenge our intuitive understanding of biological principles. | (Atran 1998; Banerjee et al. 2013; Boyer and Ramble 2001; Norenzayan et al. 2006; Nyhof and Barrett 2001) |
Navigation | The depiction of characters moving through and interacting with the imaginary world, even if it is not for the sake of exploration per se. | (Dubourg and Baumard 2022b) |
Exploration | The depiction of characters actively seeking to discover and learn from the imaginary world. | |
Temporal depth | The richness of the imaginary worldās representation of different eras. | (Besson 2015) |
Description | The proportion of the literary text dedicated to detailing the environment of the imaginary world. | (Dubourg and Baumard 2022a) |