Table 1 Summary of the Language Features that Capture Emotional Meaning-Making

From: The construction of emotional meaning in language

Process

Dimensions

Language Features

Example Methods

Attention

Themes

Motifs

Content words: e.g., bodily sensations (“dizzy,” “headache”)

Function words: e.g., pronouns (“I” vs. “you”)

Co-occurring words/phrases: e.g., ‘entertainment,’ ‘assignments’

Central ideas: e.g., ‘futility’ (“there’s no way”)

Dictionaries48,52

Topic modeling42,45

Annotation43,72

Construal

Dynamism (entities vs. processes)

Distance (proximal vs. distal)

Boundedness (ongoing vs. finite)

Reality status (real vs. hypothetical)

Speaker agency (subject vs. object)

Emotion location (self vs. other)

Word class: e.g., nouns (“anger”) vs. verbs (“to anger”)

Verb tense: e.g., present (“I love”) vs. past (“I loved”)

Verb aspect: e.g., imperfective (“I loved”) vs. perfective (“I had loved”)

Verb mood: e.g., subjunctive (“if I were to see you, I would be happy”)

Verb voice: active (“he scared me”) vs. passive (“I was scared by him”)

Syntactic structure (e.g., “I’m annoyed” vs. “this is annoying”)

Dictionaries96,106

Natural language processing122,133

Annotation116,221

Appraisal

Valence ([un]pleasantness)

Intensity (emotional strength)

Certainty (conviction/confidence)

Positively- (“excited”) and negatively-valenced (“bored”) words

Punctuation (“!”), abbreviations (“LMFO”), emoji (☺), emoticons (:)

Type of emotion label(s) (e.g., “angry” vs. “infuriated”)

Adverbs and modifiers: e.g., hedges (“maybe”) vs. boosters (“very”)

Orthographic features (e.g., “WOAH,” “weeeell”)

Sentence construction (e.g., “I might feel bad about it”)

Dictionaries32,168

Sentiment algorithms159,164

Annotation189,223

  1. The table summarizes the dimensions, language features, and example methods outlined in the present paper. Other features of language—spoken as well as written—also play a role in the construction of emotional meaning: For example, lexical choice (e.g., “fear” vs. “jitters” vs. “angst”), figurativeness (e.g., “a pit of despair,” “my blood was boiling”), and intonation (i.e., prosody) each provide insight into specific aspects of meaning-making and communication. For reviews, see refs. 37,38,124,150,249.