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Rebels of art and science: the empirical drive of the Pre-Raphaelites
To paint Ophelia (1851–52), John Millais spent months observing plants on the banks of the Hogsmill River in Surrey, UK. Credit: Tate Images
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Nature 562, 490-491 (2018)
doi: https://doi.org/10.1038/d41586-018-07110-9
Beatrix Potter: A scientist's eye
The wilder side of Edward Lear
Life in stone