Fig. 2 | Heritage Science

Fig. 2

From: Separating two painting campaigns in Saul and David, attributed to Rembrandt, using macroscale reflectance and XRF imaging spectroscopies and microscale paint analysis

Fig. 2

False-color reflectance image (R = 900, G = 750, B = 530 nm). The bold brushstrokes added in the second stage to extend Saul’s cloak across the arm of the chair appear yellow–green in false color (note that this image was made during conservation treatment: the purplish tone visible at the upper left is where the old varnish had been removed)

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