Table 1 Details of samples

From: Analytical study of Buddha sculptures in Jingyin temple of Taiyuan, China

Sample no

Sculpture

Photo of the sampling positions

Description

JYS-1–1

Tutang Buddha

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Gold and paper in sublayer collected from lower part of the left side of Buddha

JYS-1–2

Tutang Buddha

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Red pigment fragment collected from below the left sleeve of Buddha

JYS-1–3

Tutang Buddha

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Red pigment fragment collected from lower part of the right side of Buddha

JYS-1–4

Tutang Buddha

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White pigment fragment collected from lower part of the right side of Buddha

JYS-1–5

Tutang Buddha

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Fine clay layer fragment collected from the leg

JYS-1–6

Tutang Buddha

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Black pigment fragment collected from the lower right part of Buddha

JYS-2–1

Avalokitesvara Bodhisattva

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White pigment fragment collected from the right sleeve of sculpture

JYS-2–2

Avalokitesvara Bodhisattva

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Gold fragment collected from the left sleeve of sculpture

JYS-2–3

Avalokitesvara Bodhisattva

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Red pigment fragment collected from Kasaya of the sculpture

JYS-2–4

Avalokitesvara Bodhisattva

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Dark-blue pigment and paper in sublayer fragment collected from Kasaya of the sculpture

JYS-2–5

Avalokitesvara Bodhisattva

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White pigment fragment collected from Kasaya of the sculpture

JYS-2–6

Avalokitesvara Bodhisattva

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Fine clay layer fragment collected from underneath the sculpture's feet

JYS-3–1

Mahasthamaprapta bodhisattva

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Green pigment and paper in sublayer fragment collected from around the hemline of the left side of Buddha

JYS-3–2

Mahasthamaprapta bodhisattva

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Gold fragment collected from the hemline of the left side of Buddha

JYS-3–3

Mahasthamaprapta bodhisattva

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Black pigment fragment collected from the hemline of the left side of Buddha

JYS-3–4

Mahasthamaprapta bodhisattva

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Fine clay layer fragment collected from underneath the sculpture's feet

JYS-4

The mountainside

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Mountain soil sample