Fig. 4: Comparative Analysis of the Virgin Sculpture and the Paintings. | npj Heritage Science

Fig. 4: Comparative Analysis of the Virgin Sculpture and the Paintings.

From: Interdisciplinary study of 16th-century Spanish court woman fashion, gemstones, and Virgen del Rosario dress

Fig. 4: Comparative Analysis of the Virgin Sculpture and the Paintings.The alternative text for this image may have been generated using AI.

a Virgen del Rosario, Archconfraternity of the Holy Rosary of Granada, © IAPH; b Infanta Isabel Clara Eugenia and Magdalena Ruiz, oil on canvas 1585–1588 by Sánchez Coello; c Margaret of Austria, oil on canvas 1606 by Pantoja de la Cruz; d Elisabeth of Valois holding a portrait of Philip II, oil on canvas, 1561–1565 by Anguissola; e Infanta Catalina Micaela, oil on canvas, Ca. 1584 by Sánchez Coello; f Infanta Isabel Clara Eugenia, oil on canvas, 1577 by Sánchez Coello; g, h Infantas Isabel Clara Eugenia and Catalina Micaela, detail of oil on canvas, 1575 by Sánchez Coello. ©Archivo Fotográfico del Museo Nacional del Prado.

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