Fig. 6: Examples of visual analytics using the vision-capable GPT-4o. | Humanities and Social Sciences Communications

Fig. 6: Examples of visual analytics using the vision-capable GPT-4o.

From: Machine-assisted quantitizing designs: augmenting humanities and social sciences with artificial intelligence

Fig. 6

A Prompt: Explain this joke in one sentence. — Output: the joke plays on wordplay: removing the letter “B” from the word “bananas” leaves you with “ananas,” which is another name for pineapple in many languages. B This is a still from a movie. Provide a list of likely genre, characters and their actions, location, mood, color palette, lighting, camera angle, shot type; all in variable: value format, short descriptions please. — Genre: Action, Sci-Fi. Characters: Protagonist (dodging), Armed agents (attacking). Location: Urban, interior, possibly a government or corporate building. Mood: Tense, high-stakes. Color Palette: Cool tones, mainly blues and greens. Lighting: Low key, dramatic shadows. Camera Angle: Low angle, emphasizing action. Shot Type: Medium-wide shot, capturing multiple characters and action. C Make a nested list of the most prominent objects and subjects in this painting, output as single-line compact minified JSON, use short one-word or descriptive camelCase labels only. — [“streetScene,” [“buildings,” “horse,” “cart,” “people,” [“manWithTopHat,” “womanInWhiteDress”], “bunnies,” [“brownBunny,” “blackBunny,” “whiteBunny”], “trees,” “clouds,” “churchWithSpire”]]. D Describe the objective technical aspects of this painting like an art scholar, in one short concise paragraph. — This painting features a dynamic composition of swirling, intermingling colors with a strong emphasis on movement and texture. The color palette is dominated by warm tones of orange, red, and yellow, contrasted by cooler shades of blue and gray. The brushwork appears loose and expressive, with layers of paint blending seamlessly into one another, creating a sense of depth and fluidity. The overall form is abstract, with no discernible figures or objects, focusing on the interaction between the colors and the implied motion within the composition.

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