Table 3 Comparison with other construction frameworks
From: Enhancing authenticity in historic districts via soundscape design
No. | Reference | Research focus | Research conclusion | Construction step |
|---|---|---|---|---|
1 | Tokgöz [22] | The importance of evaluations of past soundscape in acoustic environment designs | Past soundscape data helps enhance regional identity | (1) The past soundscape of the city and the soundscape components of the area (2) Soundscape changes |
2 | Huang, and Kang [26] | The relationship between sound and urban space in the historic city centre | The sound environment and soundmark in the historic city centre have unique characteristics and cultural contexts | (1) Preserve the space for sound markers and the propagation of sound markers (2) Combined with the protection of urban texture, soundscape protection is carried out |
3 | Liu et al. [28] | Effects of sound/ soundscape perception on visitor experience in renovated historical blocks | A ‘soundscape perception - visiting experience’ model is proposed | (1) Improve the sound of nature and history (2) Adjust sound according to soundscape perception preferences (3) Adjust the sound according to the satisfaction of each type of landscape (4) Adjust the sound according to different impressions |
4 | Torija and Ruiz [29] | Optimise soundscape evaluation procedures | The perceived soundscape quality is primarily driven by the assessment of subjectively dominant sounds | (1) Analysis of acoustic environment status (2) Classify the space according to the dominant sound |
5 | Djimantoro et al. [30] | The relationship between the sound source and its predicted acoustic environment in the historical area | Through literature and image research, the acoustic environment of historical areas can be simulated | (1) Sort out the development stage of the block (2) Determine the sound source appearing at each stage |