Table 10 Real time testing on nine classes of guitar sounds.
From: SpectroFusionNet a CNN approach utilizing spectrogram fusion for electric guitar play recognition
Guitar sound classes | \(\:{F}_{late,max}\) | \(\:{F}_{late,wavg}\) | \(\:{F}_{late,concat}\) | ||||||
|---|---|---|---|---|---|---|---|---|---|
\(\:P\) (%) | \(\:R\)(%) | \(\:F1-score\) (%) | \(\:P\) (%) | \(\:R\)(%) | \(\:F1-score\) (%) | \(\:P\) (%) | \(\:R\)(%) | \(\:F1-score\) (%) | |
Alternate Picking | 64 | 78 | 70 | 47 | 89 | 62 | 38 | 100 | 55 |
Bend | 100 | 78 | 88 | 100 | 100 | 100 | 100 | 100 | 100 |
Hammer on | 83 | 56 | 67 | 75 | 67 | 71 | 20 | 11 | 15 |
Legato | 42 | 89 | 57 | 20 | 30 | 27 | 78 | 78 | 78 |
Pull off | 62 | 56 | 59 | 33 | 33 | 33 | 50 | 33 | 40 |
Slide | 100 | 56 | 71 | 78 | 78 | 78 | 78 | 78 | 78 |
Sweep Picking | 90 | 100 | 95 | 88 | 78 | 82 | 75 | 100 | 86 |
Tapping | 100 | 56 | 71 | 50 | 22 | 31 | 56 | 56 | 56 |
Vibrato | 50 | 44 | 47 | 33 | 56 | 42 | 20 | 30 | 27 |