Table 8 Class-wise performance of nine classes of guitar sounds.
From: SpectroFusionNet a CNN approach utilizing spectrogram fusion for electric guitar play recognition
Guitar sound classes | \(\:{F}_{late,max}\) | \(\:{F}_{late,wavg}\) | \(\:{F}_{late,concat}\) | ||||||
|---|---|---|---|---|---|---|---|---|---|
\(\:P\) (%) | \(\:R\)(%) | \(\:F1-score\) (%) | \(\:P\) (%) | \(\:R\)(%) | \(\:F1-score\) (%) | \(\:P\) (%) | \(\:R\)(%) | \(\:F1-score\) (%) | |
Alternate Picking | 100 | 100 | 100 | 100 | 100 | 100 | 100 | 100 | 100 |
Bend | 100 | 100 | 100 | 100 | 100 | 100 | 100 | 100 | 100 |
Hammer on | 100 | 100 | 100 | 100 | 100 | 100 | 100 | 91 | 95 |
Legato | 100 | 100 | 100 | 94 | 100 | 97 | 100 | 100 | 100 |
Pull off | 100 | 100 | 100 | 100 | 100 | 100 | 100 | 100 | 100 |
Slide | 100 | 100 | 100 | 100 | 100 | 100 | 100 | 100 | 100 |
Sweep Picking | 100 | 100 | 100 | 100 | 100 | 100 | 100 | 100 | 100 |
Tapping | 100 | 100 | 100 | 100 | 100 | 100 | 100 | 100 | 100 |
Vibrato | 100 | 100 | 100 | 100 | 91 | 95 | 92 | 100 | 96 |
