Table 4 Contents required for the first cello in the different autonomous communities.
Content/autonomous community | Asturias | Andalucía | Canarias | Cantabria | Aragón | Castilla and León | Pais Vasco | Madrid | Valencia | Total |
|---|---|---|---|---|---|---|---|---|---|---|
Sound production | X | X | X | X | X | X | X | X | X | N = 9 |
Bow strokes | X | X | X | X | X | X | X | X | X | N = 9 |
Positions | X | X | X | X | X | X | X | X | X | N = 9 |
Memory | X | X | X | X | X | X | X | X | N = 8 | |
Reading at first sight | X | X | X | X | X | X | X | N = 7 | ||
Repertory | X | X | X | X | X | X | X | N = 7 | ||
Position | X | X | X | X | X | X | N = 6 | |||
Hearing sensitivity | X | X | X | X | X | X | N = 6 | |||
Study habit | X | X | X | X | X | X | N = 6 | |||
Set | X | X | X | X | X | X | N = 6 | |||
Coordination | X | X | X | X | X | X | N = 6 | |||
Vibrato | X | X | X | X | X | X | N = 6 | |||
Musical language | X | X | X | X | X | N = 5 | ||||
Double stops | X | X | X | N = 3 | ||||||
Tuning | X | X | X | N = 3 | ||||||
Postural habit | X | X | N = 2 | |||||||
Improvisation | X | X | N = 2 | |||||||
Fingering | X | X | N = 2 | |||||||
Technique | X | X | N = 2 | |||||||
Instrument maintenance | X | X | N = 2 | |||||||
Concert | X | X | N = 2 | |||||||
Joint | X | N = 1 | ||||||||
Relaxing | X | N = 1 | ||||||||
Hand joint | X | N = 1 | ||||||||
String changes | X | N = 1 | ||||||||
Bariolage | X | N = 1 | ||||||||
Harmonic | X | N = 1 | ||||||||
Pizzicato | X | N = 1 | ||||||||
History | X | N = 1 | ||||||||
Recordings | X | N = 1 | ||||||||
Pianist | X | N = 1 | ||||||||
Total | N = 21 | N = 20 | N = 14 | N = 12 | N = 12 | N = 12 | N = 11 | N = 9 | N = 7 |