Summary

Drama, theatre and performance studies encompass a multidisciplinary inquiry into the production, reception and cultural functions of live and mediated performance. At its core lies an exploration of narrative structure, embodiment and audience engagement across historical, social and technological contexts. The field spans textual analysis of dramatic works, theoretical investigations into performativity and ritual, and practice-based research in which the act of performance itself constitutes a site of knowledge generation. Methodologies include dramaturgical critique, ethnographic observation of performance communities, archival research, and experimental staging that interrogates space, materiality and the body. Recent theoretical currents have foregrounded decolonial approaches, digital and immersive media, and performance as a mode of social intervention. Studies examine the global circulation of theatrical forms, the role of performance in public memory and identity formation, and the intersections between professional, amateur and community-based practice. Practical applications extend from innovative pedagogies and community engagement initiatives to virtual and augmented reality in performance. By bridging rigorous academic analysis with creative experimentation, the discipline illuminates the enduring human impulse to make meaning through enacted stories and collective experience.

Research from Nature Portfolio

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Drama, Theatre and Performance Studies publication trend

The graph below shows the total number of articles in drama, theatre and performance studies across all publications each year (not limited to Nature Index journals).

Technical terms

Practice-based research: An approach in which creative processes and performances serve as primary methods of enquiry and knowledge production.

Research-based theatre: A subset of practice-based research that uses staged performance to present, interrogate and communicate empirical findings.

Community-engaged data theatre: A methodological framework that converts data into performative scenes to facilitate participatory analysis and public deliberation.

Participatory theatre: A collaborative performance approach in which participants co-create content to reflect their lived experiences and shape the outcome.

Hybrid learning: An educational model combining synchronous face-to-face instruction with online components to support flexible and immersive training.

References

  1. Viewpoints/Points of View: Building a Transdisciplinary Data Theatre Collaboration in Six Scenes. Arts (2024).
  2. Perspectives of Hybrid Performing Arts Education in the Post-Pandemic Era: An Empirical Study in Hong Kong. Sustainability (2022).
  3. Migrant mothers’ creative interventions into racialized citizenship. Ethnic and Racial Studies (2017).

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